费奇诺与莎士比亚戏剧中的忧郁诗学
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I106

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四川省教育厅人文社科重点项目(编号:18SA0259)


Ficino and melancholy poetics in Shakespeare's plays
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    摘要:

    莎士比亚既是英国文学史上忧郁主题的集大成者,亦是不可超越的丰碑。莎士比亚戏剧中的忧郁主题并不像浪漫主义诗人将个人精神生活作为创作的源泉,而是对时代思潮、自然灾难和历史记忆等社会生活的深层思考。忧郁,就像英国阴霾而又冷淡的空气一样,在莎士比亚的戏剧中无处不在,无论高低贵贱男女老幼无一豁免。莎士比亚融会了费奇诺天才忧郁论中的人文主义思想,塑造了文学史上最典型的忧郁王子哈姆雷特的文学形象,并以小冰期、瘟疫、旷野、海难等作为内心沉思的工具,用独白和对话表达人物内心的情感,最为重要的是将战争、政教矛盾和世俗忧患交织在一起,在气势恢宏、史诗般的历史剧中,铺开了忧郁时代的历史画卷。

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    Shakespeare deserves a master of the melancholy theme and an unsurpassable monument in the history of English literature. Instead of taking personal confusions as Romantic poets do, the melancholy poetics in Shakespeare's plays reveal his profound concerns about contemporary thoughts, natural environment and historical memory. Melancholy is like the foggy weather that nobody in England could immune from it no matter they were the aged or young, men or women. Shakespeare integrated Ficino's idea of genius melancholy to establish the most typical melancholy prince of Hamlet in literary history, and adopted the Little Ice Age, the plague, the wilderness, and the shipwreck as tools for inner contemplation to express natural feelings of the characters through soliloquy and dialogue. When intertwining wars, political and religious contradictions with worldly worries, Shakespeare depicted the historical picture of that melancholy era in those magnificent epical plays.

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张秀仿.费奇诺与莎士比亚戏剧中的忧郁诗学[J].河北工程大学学报社会科学版,2019,36(4):72-77

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  • 收稿日期:2019-11-08
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  • 在线发布日期: 2020-05-15
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